Thursday, 28 March 2013

The secret of our cake! We share how it's done, the dairy free way!

You may know that our cake is made without any milk or eggs.

Actually, you might not know - the taste certainly won't give it away!


Vegan cake is a fine art, but very easy to learn - and once learnt enables you to make cakes with just a few simple ingredients and it's easier on the planet and on animals, too.  Dairy free cake lasts well, too (although that's rarely an issue here) and of course, more people can enjoy it.

You haven't seen true happiness until you see the smile on a vegan or dairy intolerant person's face when they realise they can eat the cake!

Our chefs, Ziggy and Abi, have both been vegan for years and have shared their top expert tips with us.  

We don't use any 'egg replacer' in our cake, as we feel it's quite highly processed, and it's made of....well... chalk.  It's also quite hard to get hold of in regular shops (although we're looking forward to Rice Up opening near us in a few months, so ingredients will be easier to get without resorting to supermarkets).

So, how is vegan cake done, you ask?

1) Be gentle

We can't stress this enough!  The main secret with vegan cake making is to avoid bashing the batter around.  The fluffiness of the cake is achieved through a reaction between the lemon juice and baking soda, which means no beating all the bubbles out of it.

Also, vegan cake may not travel all that well.  When we first opened, Ziggy made a few cakes at home and brought them in during the initial weeks.  This is why, when they make a film about The Art House, it shall be called

Cakes on a Train  

The cakes sometimes formed a grand canyon down the middle in transit.  So it's worth bearing this in mind if you're taking them to a party (ice them first and they should be fine).

2) Use quality ingredients.  

Cheap n nasty ingredients taste... well... cheap n nasty.  We use only fairtrade sugar and cocoa in ours, and all ingredients are organic.  This does make a difference to the final result.

Lots of chocolate, or other flavours, is the secret, too.  Lots and lots of tasty things.

3) That's it!  Now for a recipe

Art House Double Layer Round Chocolate Cake (12 Slices)

This recipe was originally devised by Ziggy, 
refined by Abi and is our best selling cake.


Equipment:-

- Large cake tins (22 centimetres is good) - greased and lined with with greaseproof paper (this is important, they will stick otherwise). 

- Leave enough greaseproof poking out to provide handle to lift the cake out of the tin when cool.


- Large wooden spoon
- Spatula
- Measuring jugs x 2
- Scales
- Large mixing bowl
- Measuring spoons - 1 teaspoon and 1 tablespoon
- Measuring cup
- Blender

Preheat oven to 200 Degrees C

Ingredients for cake batter:-



300g Self Raising White Flour (sifted)
200g fine sugar
100g bar 'Divine' dark chocolate (chopped)
75g  Fair Trade Cocoa Powder (sieved)
1 Tablespoon Baking Powder
1 teaspoon paprika

350ml Soya Milk
100ml Sunflower Oil
1 teaspoon Vanilla Extract

Method

- Preheat oven to 200 Degrees C
- Put all the DRY ingredients into a large mixing bowl and mix.
- Mix the WET ingredients together in a seperate bowl/jug before adding to the DRY ingredients.
- Fold all ingredients together with a wooden spoon, carefully, using a figure of eight movement to get lumps out.
- Line two (9” 22cm Diameter) circular cake tins with baking parchment.
- Pour half the mix into each tin, use a spatula to smooth the mix into the edges of the tin.

- Place in the oven for 20mins.  You may want to turn/swap shelves if the heat in your oven isn't even (ours isn't!)
- Make sure the cakes are cooked through by poking with a knife, which should come out clean. 
- When cooked through place tins on a cooling rack, for about an hour, before icing.  Don't turn the warm cakes out or they'll crack!




Ingredients for icing:-

½ tsp vanilla extract
25g cocoa powder
125g (approx) soya margarine (we use 'Pure' which can be bought in most large shops) You can also use 'TREX' which gives a fluffier texture (a hint we picked up from Hannah Banana Bakery)
1 cup (250ml) icing sugar (approx)
1 Tablespoon 
(15ml)
(approx) soya cream (optional - just use 25ml soy milk if you need to)


9) Put margarine, cocoa powder and vanilla into the blender, or mix by hand!

10) Add about half the icing sugar and blend until well mixed.

11) Add more icing sugar and soya cream until a good consistency is reached - not too runny (will run off cake) not too thick (won’t spread).

12) Allow cake to cool COMPLETELY before icing & slicing.  This will take about 1 hour.

13) Turn cake out of the tin onto a tray.

14) Make sure the cake is completely cool - if it is, then ice.

We recommend these two books for vegan baking goodness (we use all of these)

The Cake Scoffer by Ronny Worsey

Another Dinner is Possible by Mike & Isy from the Anarchist Teapot


Tuesday, 15 January 2013

Saturday nights at The Art House!

So far, our Saturday night opening is going very well :)

Evenings have always been a great vibe here, something different from the daytime and totally unlike busy venues elsewhere.

With lots of sofas and corners to hide in, groups often head here late in the afternoon and just stay all evening, chatting, playing board games and drinking organic wine or trying one of our ales, ciders or the best gin and tonic in town.




With so many musician friends supporting us, The Art House often features a busker, or an impromptu jam session takes place.

We're pleased to have two floors, so you can choose between listening (or joining in) with music, or find a quiet place to talk - a rare thing indeed on a weekend  night, we've found.

Head down and see for yourself soon!




Here's the Saturday night plans for the next few months, so far:-

Saturday 19 January - Colin's Box live in the first floor gallery, cafe open as usual.

Saturday 26 January - We're open, buskers welcome - please get in touch!  Cafe & first floor open for chilling & chatting.

Saturday 2 February - Power Down returns with all the lights & amplification switched off!  Cafe open as usual.

Saturday 9 February - Seed Swap will be set up on the first floor for the weekend, but the cafe will be open all evening and buskers are welcome - please get in touch

Saturday 16 February - Fundraising pub-style quiz for the Society of St James on the first floor, details soon!  Cafe open as usual.

Saturday 23 February - Classic and Cult film night on the first floor (details tbc), cafe open as usual

Saturday 2 March - BiWessex, a bi-friendly social group on the first floor, all welcome, cafe open as usual


Saturday 9 March - The Shimmering Bees informal and unplugged in the cafe, first floor open too.

Saturday 16 and 23 March - Cafe and first floors open, buskers please get in touch.

Saturday 30 March - Classic and Cult film night (theme tbc) on the first floor, cafe open as usual.


Sunday, 13 January 2013

Show off your TRUE colours!



Has anyone else noticed that come the new year, everything suddenly seems like it could do with a spruce up? The process of renewal seems to get particularly frantic in January, especially on a sunny day like today. The Art House is no exception. We can't seem to go a day without noticing something that needs fixing, something that needs renewing, and our crew will, I'm sure, be nodding their heads in agreement. Yet the question always arises 'What would we like to do in 2013'?

Well.


Southampton City Council have kindly granted us the opportunity to spruce up the front of next door - the empty shop front (see right). We can't get inside or adjust the front, but we can PAINT, and STICK.

Our very own Natalie Oman, who not only makes a beautiful coffee but also rather fortuitously paints beautiful paintings, and director Jani Franck has rather good ideas. Together, a baby caterpillar was born.

We choose to liken the creative journey to a butterfly opening its wings - hence our logo - and with this in mind we have come up with a design that incorporates all the butterflies that want to fly in Southampton - that's you guys - in a mighty explosion of colour and grandeur that may have never before been seen on Above Bar.




WANT TO BE PART OF IT?

 The Art House invites you to show off your true colours.
  
Can you design us a butterfly to fly with the others? You can make it in your style - choose your colours and shape, or use one of our specially designed templates, and we will arrange the designs into an image that can be applied to the glass. Natalie will paint a beautiful lady radiating creativeness from her, and by spring it should blossom into fruition.



One final THING.

To realise this design in real life weather-proof glory, we need the super guys at Signwork to print it and apply it to the glass - costing around £400.

To cover this cost we're asking everyone who submits a butterfly to donate a minimum of £5, depending size, to our Facelift fund. You can donate more, and you're welcome to donate on someone else's behalf or just out of the sheer hell of it, without drawing a thing. Why not sponsor a friend?

If you really can't donate, but are excited about the project, share this blog on Facebook or Twitter, or your own blog.  Tell friends. Tell arty folk. Tell children, pets, Grandads. We'd really like to see the community's interpretation of a butterfly - do not worry about perfection. (Unless you want to!)

Together, we are beautiful.

 
Please remember to include your name, or the name of the participant in which you are 'sponsoring', then submit the form below.  You will be sent some templates and details of how to submit your design, what size and format it will need to be.  The deadline is 28th Feb 2013.


Fill out my online form.

Thursday, 10 January 2013

Boothby Graffoe is coming!

Boothby Graffoe stops here on his 'Nomad (No Sane Either)' tour
Friday 1 March.  Support acts tbc.

This is a real coup for The Art House as Boothby is a regular on the Edinburgh Fringe circuit, has toured with Canadian band The Barenaked Ladies, written three stage plays, and even had his own show on Radio 4.  But, as far as we're concerned, the best accolade is that he has recorded a song by of our regulars, Syd Meats.  This is one of those magical connections that gets a big name star on the comedy circuit to our little venue.  Yes, we are a little star struck - m'kay?!
“Boothby Graffoe is a multi-talented, darkly hilarious, grade A British eccentric, who can twist your funny bone one minute, and break your heart the next. A musical comedy act who is more musical than most musicians, and funnier than most comedians.’” – Stewart Lee

Anyway, grab your ticket quickly because they won't last long.




‘Boothby Graffoe is a multi-talented, darkly hilarious, grade A British eccentric, who can twist your funny bone one minute, and break your heart the next. A musical comedy act who is more musical than most musicians, and funnier than most comedians.’ - Stewart Lee

‘If I had to compare him to anyone, it would be Spike Milligan.’ - Omid Djalili

‘The world would be a poorer place without his eccentric turn of phrase. Graffoe’s long time collaborator, the unassuming multi-instrumentalist Nick Pynn, accompanies him on-stage: as well as adding subtle texture to the songs, he comes close to stealing the show with folksy musical interludes on violin, guitar and Appalachian dulcimer.’ - The Times

‘Rare among comedy singer-songwriters in that he’s not intensely twee and annoying.’ - The Sunday Times, Culture Section (Must Sees The Critical List)

‘Sings songs that are both beautiful and funny’ - The Guardian

‘.... Nick Pynn. Brighton’s own folk-rock dignitary’s skill, along with comic timing, complimented Graffoe’s exquisitely twisted lyrics perfectly to produce a show as entertaining musically as it was funny. This show was as fun for the performers as it was the audience, long may this fertile collaboration continue.’ - Brighton Argus

‘About as challenging as a warm bath, infused with the radox of whimsy.’  - Chortle




Saturday, 15 December 2012

Could Southampton's Creative Community use more space?


This week, we visited the empty space above what was The Old Fat Cat pub, between us and the proposed new arts complex site.




We met with Cllr Simon Letts who is proposing using of the three storeys of old 'Tyrell and Green' offices for Southampton's creative community. Having looked at these three storeys of empty building right in the cultural quarter for four years and thought 'gosh, wouldn't those be great filled with artists and arty things!' we were thrilled to find somebody in the Council who was open to the idea.

We are looking for any interested stakeholders, potential users (both tenants and hirers), artists, creative businesses, organisations, community groups, charities, co-operatives and anyone else who would like to make this amazing project happen.

UPDATE - there is a meeting at The Art House on Thursday 17 January from 7.30pm, please look here for info.

There is no way we could use all of the space ourselves, nor would be want to. This would need to be a collaborative project involving a number of groups, organisations & businesses interested in using the space.

Please feel free to spread the word about this great chance for Southampton to create a cultural incubator right in the heart of our city.

We will shortly set a meeting date for mid January to talk about this in a group.  Anyone who has a genuine interest in being involved will be invited.

Please join the mailing list to be kept up to date!


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Friday, 30 November 2012

The ART House: Approaching a gallery - our top tips for artists.

The ART House: Approaching a gallery - our top tips for artists.: T



SATURDAY, 23 JUNE 2012

Approaching a gallery - our top tips for artists.

The Art House is a very grass roots gallery space and we love to show work by newbie artists here.  Many of the artists we hear from have never exhibited before, we experience a lot of the 'rookie mistakes' that people make when submitting artwork to galleries.


Picture of the inside of The Art House Gallery CafeWe thought it would be nice to do a rough guide to help with this!

Knowing how to deal with a gallery and avoiding some common mistakes will give you edge when looking to exhibit your work - you'd be surprised how few artists know how to do this properly! Here are our top ten tips:

1) First, visit the gallery and get a feel for the place. 
Start out by join their mailing list, attending a few openings, chatting to the staff.  You can also connect on facebook, read their blog and find out what the gallery is all about. 

A gallery is far more likely to be interested in an artist who has shown an interest in them.  We have actually had submissions from artists who say 'no thanks' to joining our mailing list.  FAIL!

Visiting a gallery is also important so that you can make sure it's the sort of place you want to show your work. For instance, we have a super-informal gallery-cafe setup, which is perfect for some artists and totally wrong for others.

2) Take a look at what work is on display already.

Do you think your work fits in there? Make sure you choose somewhere that fits in with your ideals as an artist and shows work by artists like you. Take a note of prices and how things are displayed. There's no point submitting your £1000 nine-foot sculpture to a small gallery that sells watercolours for £40.

3) Don't just drop in and expecting somebody to look at your work.

It's unlikely that a gallery will be able to talk to you if you just walk in grasping a portfolio, without an appointment. Gallery staff are usually pretty busy and will not be able to drop everything and talk to you, even though they no doubt would love to (we know we would!). Step one should be to send the gallery a quick, simple email asking if they are taking submissions at the moment.

4) Find out HOW the gallery wants you to submit your work.

They may tell you on their website, or they may email you details when you enquire. Take the time to read through any instructions and be sure to follow them to the letter.

We are astonished at how many artists ignore this one! Galleries get a lot of approaches, so if you disregard their processes they are likely not to even look at what you send them, much less accept your work for display.

Also (and here's a handy little secret), artists are notorious for not following instructions so, if you do everything by the book, you will actually stand out from the crowd and show the gallery you are somebody they want to work with!  More than once, our decision whether or not to show an artist's work has been almost as much about how pleasant they were to deal with than how good their work is.

5) Check the terms and conditions for each gallery

A lot of galleries take work on a 'sale or return' basis and charge at least 30% commission (sometimes a lot more that that) on all work sold - that's how they pay the rent and (in the case of most galleries) make their profit.

Resist the urge to send a gallery a ranty email about how their commission is a rip off, as this really won't convince anyone to deal with you! If the commission is too high or you don't like the terms, go elsewhere.

Whilst we're on the thorny issue of money, be sure you don't come across as being primarily focussed on how much money you can make from selling your work.  Like you, most art galleries are passionate about art itself, not just about the money.

6) This may seem so obvious but - be polite!

All communication with a gallery should be courteous. Don't (and we can't stress this enough) be high maintenance. Nobody in their right mind wants to deal with a Diva, and there are far too many of those around already!

Remember that you are not doing the gallery a favour by approaching them, so don't expect the red carpet treatment.


One experience we had was on an artist who, after submitting work, was waiting to hear from us and complained that they hadn't heard back yet - publicly, on our facebook page.  This sort of behaviour communicates to a gallery that you may not be pleasant to work with, or terribly professional, and will certainly not up your chances of being selected - don't do it!

7) If you are writing an artist's statement, keep it nice and short.

Write in the third person and include a bit about your inspirations and influences. Nobody has time to read your whole life story.

8) Take the best photographs you can possibly take of your work.

Cowboy boot collage by Alys Scott-Hawkins

Here is a great example of work submitted to us by Alys-Scott Hawkins for her exhibition with us.

The better your photographs are, the better chance your work will have of being accepted. Borrow a nice camera off a friend if you don't have one.

For most galleries, you won't need to pay somebody to take professional photographs or use a super-posh camera, just ensure you light your work well, watch out for reflections on framed work and be sure to crop the pictures so that they don't include your wallpaper, sofa, or dog in the background. Also, make sure the photos have a good resolution without being an enormous file that takes ages to download.

Along with any photographs you send, include all the other information about the work - what size is it, what medium have you used, is it framed or not and even what price range you are thinking of.

9) Once you have submitted your work, follow up - but not too soon!


Be realistic about how soon you will get a response. By all means follow up your submission, but leave it at least a few weeks (or until after any submission deadlines have passed) and keep it short and friendly. It makes sense to use email for this as you may not get the right person if you telephone.

Some galleries will only get in touch with you if they decide to show your work. A rare few may be willing to give feedback on why they haven't decided to take you on, but it's not reasonable to expect this as standard.

10) Just do it! 

If you have made artwork and want to exhibit it, get out there and start finding places where it can be shown. A lot of galleries are really keen to find exciting, new artists. If you've created artwork, you owe it to yourself and to the world to get it out there, so what are you waiting for?

Best of luck!

If you want to exhibit your work here at The Art House, please find out more here.

Other resources and articles about this:-

Art Biz - approaching galleries
Approaching a gallery - the initial email
We Like Artists - Approaching a gallery

Thursday, 29 November 2012

It's beginning to look a lot like......... oh well, come on, it IS!

It's beginning to look a lot like Christmas and quite a bit like Yule, Hanukkah and Saturnalia too!  
The Art House Southampton CIC


Whatever your feeling about this time of the year, the festive season is starting to get rather close.

With less than a month to go, we are now putting up some sparkly decorations, getting out the handmade goodies to sell, and thinking about some suggestions for how we can all have a very lovely, green, ethical and alternative Christmas (or Yule, or ....whatever you celebrate!).

1) Buy and give Handmade

Not only are handmade gifts 252% more splendid for those who recieve them, according to a figure we just plucked out of our heads, but they support local crafters, too.  Shopping for locally hand crafted things supports those in your own community, little businesspeople and creative elves who make lovely things.


2) Buy and give Recycled


We don't see any problem with things that have been loved before, being reused.  This saves piling up landfill sites with waste at one end, and the resources used to manufacture new things at the other.  Plus, secondhand and 'upcycled' things are often cheaper, too.

We can help you with both of these, as we stock a great selection of locally made crafts, pre-loved clothes (including an array of special sparkly partywear) and things made from recycled materials.

Take a looky at the incredibly affordable range of knitwear and textiles made specially for us by Tools for Self Reliance, with 65% of the proceeds going to the Charity (and the other 35% after VAT supporting The Art House).  Gifts with some seriously good karma.  We also recommend getting yourself along to the Bits and Bobs CraftsSouthampton Community Crafts Fair on 8 December at the Third Age Centre.

3) Don't buy at all!

There is a real pressure to spend money we don't have at this time of year, but there are all sorts of lovely ideas for gift-giving that don't cost a penny.  We love these ideas from Buy Nothing Christmas.

4) Have yourself a very Veggie Christmas

OK, we get that you may not be up for this altogether, but why not try to make avegan or veggie dish for your midwinter table?  Meals which are free from animal products are better for the planet (meat and dairy production accounting for 70% of global freshwater consumption, 38% of the total land use and 19% of the world's greenhouse gas emissions according to a UN report in 2010).   It's also a great way to try some yummy new recipes.  We've even included one of our TOP SECRET festive recipes at the bottom of this email for you to try.

Which reminds us - if you do get a turkey, please consider a free range, organic one.  Not only can you feel easier about the life the bird may have had, but we promise it will taste better (our omnivore crew all back this up!).

You could even really push the boat out and add trying out a vegan or veggie diet to your New Year's resolution list :)  To help you, you can even use this link to take the Vegan one month pledge :)  If you do, please let us know how you get on!

5) Stay Happy

Remember to be kind to yourself, get lots of rest, eat well, stop for a nice cup of tea from time to time and .... well, you know all this stuff already, don't you!

***
We hope you like these ideas, please share any others you have for an ethical, caring and green festive season. 

Our Christmas opening hours, offers & special events:-

Why not consider getting a Friends of The Art House card as a gift or for yourself?  With a 25% discount of food, drink, clothes and most events, it is a great way to save money and enable you to visit us more often.

Our latest Moving Voices CD, a recording of live performances of poetry and music, will be out soon.  Come along to the launch night on Friday 30 November and get yours!  The CDs will be on sale in the cafe all through December.  A lovely way to take a piece of The Art House home with you or give to somebody else.

Thursday 6 December
Festive Beading with Maureen from 7.30pm

Thursday 13 December 7.30pm
Transition Southampton Winter Social, 

with mince pies, mulled wine, a Mummers play and handmade workshops.  All welcome.

Late opening as usual every Wednesday - Saturday, the shop is open too :)

Saturday 22 December late opening with a laid back, pre-Christmas atmosphere, music and mulled things.

Our last day opening before Christmas will be Sunday 23 December 12 - 5pm.  We will re-open on Wednesday 2 January.  This year, we are taking a break from having a New Year's party so that our crew can spend time with friends and family.  If you are a friend of The Art House, look out for the special friends gift to replace your usual free New Year's Eve ticket soon.

Love, cake and glitter from all of us at The Art House

Saturday, 10 November 2012

Saturday, 13 October 2012

Ziggy & John on whether there is an up-side to a wet summer....

Here's an article John and Ziggy wrote for the Vegan Organic Network's next issue of 'Growing Green International' ... (unedited)

Ziggy is one of the Art House directors & founders, a long time vegan organic gardener who with her husband, John, grow some of the veggies served at The Art House in their garden in Bitterne.

Ziggy also organises the annual Southampton Seed Swap event and is active in the Vegan Organic Network, their home featured in the recent Transition Southampton Open houses weekend as an example of sustainable living.

The weather in most the UK from mid-Spring to mid-Summer was very wet and cloudy. Pretty well every gardener we've spoken to has complained bitterly about it. If we were farmers, we'd have good reason to complain - as well as crop fail

ures, poor and late yields, farmers had great difficulty harvesting their crop - tractors and wet soil being the problem. Gardeners don't have tractor problems, so let's look at some of the good things about a wet summer, and how best to cope with the down-sides.



The obvious point - watering


Wow, what a relief, very little watering to do. We have lots of water butts and our two council-supplied waste bins (recycling and landfill) are also used as water butts in the summer, but even so, in an average summer we soon run out of water and have to use tap water. We're on a water meter, so there's the cost saving of not having to use tap water, as well as the environmental benefit, and we didn't need to use any tap water this year. Large areas of the UK were short of water in the Spring, but there's no more talk of that now, so water restrictions have been lifted. For us though, not having to spend so much time and effort watering was the best thing about it.


Crops that did better than usual


Some crops yielded quite a bit better than they usually do - onions (both Autum-sown and Spring-sown from sets) and early potatoes. We've always known that potatoes need a good amount of water, but it can be difficult watering them enough in late Spring and early Summer if the weather is hot and dry. When we harvested them last year (much drier than this year) we found that not much water had penetrated deep into the soil down to where it's needed. It certainly drives home the message that you should water liberally and infrequently rather than lightly and often, since a light watering only moistens the soil near the surface. Onions were a bit of a surprise to us too - it's taught us that in more normal Springs/Summers, we should water them more often. Our green leafy veg loved this sort of weather..and we found the best sorts to resist the mollusc-munching ones (which went hand-in-erm-foot) with the weather were the slightly 'spicier' ones - i.e. the oriental greens (pak choi, mizuna, mibuna etc) rocket, sorrel and endives. We're still cropping chard, mizuna, rocket etc even now. 





Our rhubarb went bonkers - so much so that we have several drawers in the freezer full of the stuff to turn into crumbles.


Our herbs coped really well; the lemon balm, chives and mint and such like really lapped it up. In addition, our blueberries bore a very good crop indeed (but we gave the plant away in the end as neither of us particularly like blueberries!)



Crops that coped


Our garlic and courgettes did well. The sweetcorn got off to a slow start, but survived and when the weather improved in late July, it grew quickly and we have a reasonable if not spectacular crop. The runner beans and french beans also got off to a late start, but are now cropping well. We have no complaints about our raspberries and mint.


We grew our tomatoes in our greenhouse, but even so, they got off to a slow start due to a lack of sunshine and heat. When the weather picked up, we were having to water them every other day and sometimes more often. Even in early October,as we write, we were still picking fruits on a more or less daily basis. The varieties we grew were: Black cherry (from Southampton Seed Swap), Tigerella, (Suttons, a red tom with orange stripes) Gardener's Delight (the definitive cherry tom) and Millefleur (a yellow centiflor type from Real Seeds).
Crops that faired badly, but didn't fail


Maincrop potatoes ours got blight very early - around early July, and the foliage died off very quickly. It was a common problem for other gardeners this year, and often is in wet summers. If they hadn't got blight, the yields would probably have been very good due to the heavy watering that they got from the skies. There are some blight-free varieties such as Sarpo Mira and Axona, and if we'd have grown these, we might have achieved a spectacular yield this year, so we really must grow these next year. From what we've read, the foliage doesn't get blight, but the tubers might if there's another potato variety next to them that isn't a blight-free variety - the blight spores get washed off into the nearby resistant plot, and some will go rotten. So if you grow a blight-free variety, don't grow a non blight-proof adjacent to it.


Winter squash unlike our courgettes, our winter squash sulked and grew very little until late July when the weather started to improve. They have grown reasonably since, but there are very few squash fruits, and they are generally fairly small. To get them to turn lovely and sweet, you need warm and sunny weather. We haven't harvested them yet, but we suspect that they will be bland-tasting. We always grow the variety "Buttercup" since we've found that it gets sweet in relatively poor years, unlike many other varieties. The verdict is out for this year. We don't think that there's anything you can do to make them cope better in a poor summer.
Strawberries the foliage grew well and looked healthy, but we didn't get much fruit, and the berries that we picked were smaller than usual. They also fruited a few weeks later then usual. Strawberry picking time was bang in the middle of the very wet times, so that is the most likely reason.


Crops that haven't completed yet


Carrots we decided to sow some later than usual - in late July which is slightly later than the last recommended sowing time. We held off sowing earlier since we thought that they wouldn't succeed in the very wet weather, but we may have been wrong. They are growing well so far, but bear In mind that from late July onwards there was less rain and more sun.


Crops that failed and what to do


Our parsnips failed to germinate. We planted them in April, when it was wet and cold. If we had been persistent and tried sowing again and again we might have been successful, so there's another lesson learnt.
Aubergines. we started these in a propagator indoors and the initial growth was very promising, then transferred these to the greenhouse where the early dry spell meant we were having to water these every day. We had good leafy growth, but very few fruits, most of which rotted.
Herbs: those that appreciate drier conditions did not fare at all well. Not wholly the weather's fault... both my rosemay and tarragon died slowly

Other plants 

It's been an odd year for flowering plants as well. Now 8th Oct, we still have calendula, nasturtiums, evening primrose, roses, snapdragons, mexican marigolds, and even cowslips! 




Slugs and Snails


John writes… most gardeners that I know told me that they had big problems with slugs and snails this year, examples being runner beans failing to to get established because the speed of growth was slower than the speed of the mollucs eating the young plants. The thing that helped our crops a lot is that I took action against molluscs early on. To my mind, the only way to have a significant impact on numbers is to go out at night with a torch, collect them, and put them on some waste ground far away from any cultivated land. You can collect hundreds in a night, whereas if you collect during the day, you will collect far fewer. Doing this is fairly easy if you grow in your garden and it's not too big, but not so easy if you have an allotment that’s far away.


Ziggy writes…: The other solution is to encourage the creatures that predate upon molluscs - namely, hedgehogs, thrushes, frogs etc into your garden. It's worth finding the space for a pond to encourage wildlife, though if you have small children that is probably not a good idea, until they get older. Also its worth having scruffy spots with patches of long, scrubby foliage, log piles and so on.


The other trick is to start off slug-susceptible plants like squashes, runner beans and sweet corn indoors in pots or modules, and harden them off outside on warm-ish days. Put them somewhere high up, beyond the height that slugs and snailsare likely to climb. Ifyou have a shed of outbuilding with a flat or gently slopinig roof, that's pretty out of reach of molluscs. If you don't harden them off, the stems may be soft and slugs can eat right through the stems near the base, killing them. We learn this from bitter experience several years ago. They don't tend to eat harder woody stems.




Why not 'like' the Southampton Seed Swap Facebook page for more tips, news & views throughout the year.

The Seed Swap will run from 9 - 10 February 2013 at The Art House.